Colophon

Image credits

Every image on a design-history page is credited here, grouped by cluster and designer. Imagery is used under the Australian Statutory Education Licence (Copyright Agency Part VB), open-access museum collections, publisher permission, estate-granted access, or Creative Commons — the licence for each image is listed alongside its credit.

If you are a rights-holder and want to request an amendment or removal, the take-down process explains what we need and our response time.

Modernism foundations

  • A.M. Cassandre, French poster designer
    Portrait by Ron Kroon/Anefo from May 26, 1967 (exhibition opening, Rijksacademie Amsterdam). CC0 1.0 Universal — safe for TGDS statutory educational licence. Shows mature Cassandre; taken one year before his death.Public domainsource
  • Étoile du Nord, 1927
    Étoile du NordCooper Hewitt Smithsonian Design Museum (authoritative source); Smithsonian Open Access program allows use with attribution; dimensions not provided in metadata.Museum editorialsource
  • Nord Express, 1927
    Nord ExpressGiovanni Patrone Amérique duNord Express 1934Museum editorialsource
  • Dubo Dubon Dubonnet, 1932
    Dubo Dubon DubonnetThree-panel series view from People's Graphic Design Archive, sourced from MoMA collection. Shows complete narrative sequence.Museum editorialsource
  • Normandie, 1935
    NormandieV&A Museum IIIF image; original lithograph 62.5 × 100.5 cm; in Study Room viewable by appointment.Museum editorialsource
  • YSL monogram, 1963
    YSL monogramOfficial Musée Yves Saint Laurent Paris collection — highest authority; the hand-drawn monogram as preserved in the museum.Museum editorialsource
  • Bifur (typeface), 1929
    Bifur (typeface)Continental Types specimen book scan (1930) showing Bifur's two-color chromatic version—the defining feature of the design.Museum editorialsource
  • Acier Noir (typeface), 1935
    Acier Noir (typeface)Willem van de PollPublic domainsource
  • Peignot (typeface), 1937
    Peignot (typeface)J4lambertCC BY-SAsource
  • El Lissitzky, Russian graphic designer
    El LissitzkyPublic domainsource
  • Beat the Whites with the Red Wedge, 1919
    Beat the Whites with the Red WedgeEl LissitzkyPublic domainsource
  • PROUN (Project for the Affirmation of the New), 1919/1923
    PROUN (Project for the Affirmation of the New)El Lissitzky Figurines: The Three-Dimensional Design of the Electro-Mechanical Show Victory over theSun (Figurinen, die plastische Gestaltung der elektro-mechanischen Schau Sieg über die Sonne) 192…Museum editorialsource
  • Of Two Squares (Pro Dva Kvadrata), 1922
    Of Two Squares (Pro Dva Kvadrata)El Lissitzky Study for the book About Two Squares: A Suprematist Tale of Two Squares inSix Constructions (Pro dva kvadrata. Suprematicheskii skaz v 6-ti postroikakh) 1920Museum editorialsource
  • For the Voice (Dlia Golosa), 1923
    For the Voice (Dlia Golosa)El LissitzkyPublic domainsource
  • Proun Room (Prounenraum), 1923
    Proun Room (Prounenraum)People's Graphic Design Archive institutional entry; shows installation with geometric planes and color relationships.Museum editorialsource
  • The Constructor (self-portrait photomontage), 1924
    The Constructor (self-portrait photomontage)Wikimedia Commons version with full cataloguing; V&A Museum provenance (Inv. PH142-1985); public domain.Public domainsource
  • Herbert Bayer, Austrian graphic designer
    Credit pending
  • Universal Typeface, 1925
    Universal TypefaceCredit pending
  • State Bank of Thuringia banknotes, 1923
    State Bank of Thuringia banknotesCredit pending
  • Bauhaus Dessau printing + advertising workshop, 1925-1928
    Bauhaus Dessau printing + advertising workshopCredit pending
  • Bauhaus 1919–1928 exhibition design (MoMA), 1938
    Bauhaus 1919–1928 exhibition design (MoMA)Credit pending
  • Container Corporation of America — Great Ideas of Western Man campaign, 1951
    Container Corporation of America — Great Ideas of Western Man campaignCredit pending
  • World Geo-Graphic Atlas, 1953
    World Geo-Graphic AtlasCredit pending
  • Aspen Institute campus + environmental graphics, 1946-1985
    Aspen Institute campus + environmental graphicsCredit pending
  • Bauhaus 1919–1928, 1938
    Bauhaus 1919–1928Credit pending
  • Jan Tschichold, German typographer
    Credit pending
  • Die neue Typographie, 1928
    Die neue TypographieCredit pending
  • Typographische Gestaltung, 1935
    Typographische GestaltungCredit pending
  • The Form of the Book, 1991
    The Form of the BookCredit pending
  • Penguin Composition Rules, 1947
    Penguin Composition RulesCredit pending
  • Penguin Books cover redesign, 1947
    Penguin Books cover redesignCredit pending
  • Sabon typeface, 1967
    Sabon typefaceCredit pending
  • Transit typeface, 1931
    Transit typefaceCredit pending
  • Zeus typeface, 1931
    Zeus typefaceCredit pending
  • László Moholy-Nagy, Hungarian painter
    Portrait by Hugo Erfurth, c.1930. Image via Wikimedia Commons.AU statutorysource
  • Photograms, 1922/1946
    PhotogramsMetropolitan Museum of Art, accession 1987.1100.158, gift of Ford Motor Company Collection. Via Wikimedia Commons.Public domainsource
  • Light-Space Modulator (Licht-Raum-Modulator), 1922/1930
    Light-Space Modulator (Licht-Raum-Modulator)Image courtesy Tate, London.AU statutorysource
  • Malerei, Fotografie, Film, 1925
    Malerei, Fotografie, FilmImage courtesy Heidelberg University Digital Library.AU statutorysource
  • Von Material zu Architektur, 1929
    Von Material zu ArchitekturAuction catalogue image via Sotheby's.AU statutorysource
  • Vision in Motion, 1947
    Vision in MotionImage via Modernism101.AU statutorysource
  • Telephone Paintings (EM series), 1922
    Telephone Paintings (EM series)Image via Canalblog.AU statutorysource

Swiss & International Typographic Style

  • Adrian Frutiger, Swiss type designer
    Credit pending
  • Univers, 1957
    UniversCredit pending
  • OCR-B, 1968
    OCR-BCredit pending
  • Frutiger (typeface), 1976
    Frutiger (typeface)Credit pending
  • Avenir, 1988
    AvenirCredit pending
  • Vectora, 1990
    VectoraCredit pending
  • Charles de Gaulle airport signage system, 1974
    Charles de Gaulle airport signage systemCredit pending
  • Type Sign Symbol, 1980
    Type Sign SymbolCredit pending
  • Der Mensch und seine Zeichen / Signs and Symbols, 1978
    Der Mensch und seine Zeichen / Signs and SymbolsCredit pending
  • Armin Hofmann, Swiss graphic designer
    Credit pending
  • Basler Freilichtspiele poster series, 1954/1990
    Basler Freilichtspiele poster seriesCredit pending
  • Stadttheater Basel poster series, 1955/1975
    Stadttheater Basel poster seriesCredit pending
  • Herman Miller poster series, 1961/1989
    Herman Miller poster seriesCredit pending
  • Graphic Design Manual / Methodik der Form- und Bildgestaltung, 1965
    Graphic Design Manual / Methodik der Form- und BildgestaltungCredit pending
  • Emil Ruder, Swiss typographer
    Credit pending
  • Basel School typography curriculum, 1947/1970
    Basel School typography curriculumCredit pending
  • Typografische Monatsblätter (editorial direction), 1958/1970
    Typografische Monatsblätter (editorial direction)Credit pending
  • Typographie / Typography — A Manual of Design, 1967
    Typographie / Typography — A Manual of DesignCredit pending
  • Josef Müller-Brockmann, Swiss graphic designer
    KathleenberryCC BY-SAsource
  • Tonhalle Zürich concert poster series, 1951/1972
    Tonhalle Zürich concert poster seriesJosef Müller-Brockmann Überholem..? Im Zweifel nie!(Overtaking? When in doubt, never!) 1957Museum editorialsource
  • Swiss Automobile Club traffic-safety posters, 1953/1960
    Swiss Automobile Club traffic-safety postersJosef Müller-Brockmann Das FreundlicheHandzeichen, Schützt vor Unfällen 1954Museum editorialsource
  • Gestaltungsprobleme des Grafikers / The Graphic Artist and His Design Problems, 1961
    Gestaltungsprobleme des Grafikers / The Graphic Artist and His Design ProblemsJosef Müller-Brockmann Poster for a concertat Tonhalle Zürich 1953Museum editorialsource
  • Grid Systems in Graphic Design / Raster Systeme für die visuelle Gestaltung, 1981
    Grid Systems in Graphic Design / Raster Systeme für die visuelle GestaltungJosef Müller-Brockmann Werner Bischof 1957Museum editorialsource
  • A History of Visual Communication, 1971
    A History of Visual CommunicationSarah Morris Creative ArtistsAgency (Los Angeles) 2005Museum editorialsource
  • Neue Grafik / New Graphic Design (journal), 1958/1965
    Neue Grafik / New Graphic Design (journal)Josef Müller-Brockmann Poster for a concertat Tonhalle Zürich 1953Museum editorialsource

American mid-century masters

  • Alexey Brodovitch, Russian-American art director
    Portrait seated at desk, France 1950. High-quality archival print, exceeds resolution minimum (short edge 740px).Public domainsource
  • Harper's Bazaar art direction, 1934/1958
    Harper's Bazaar art directionMarch 15, 1938 Harper's Bazaar cover by A.M. Cassandre (commissioned under Brodovitch's art direction) — surrealist design with floating eye motif, reflecting Brodovitch's experimental editorial vision.Museum editorialsource
  • Ballet, 1945
    Ballet2024 Little Steidl facsimile reissue; reproduction of 1945 original with grey French-wrap dustjacket, white-printed BALLET title, designed by Brodovitch to mirror originalMuseum editorialsource
  • Portfolio magazine, 1949/1951
    Portfolio magazinePortfolio Vol. 1, No. 1 (Winter 1950) cover, designed by Alexey Brodovitch. First issue of the legendary three-part series.Museum editorialsource
  • Observations, 1959
    ObservationsFonts in Use (specialist typography archive); shows Brodovitch's slipcase design with red, blue, and grey Didot lettering on white ground—the definitive typographic reference.Museum editorialsource
  • Design Laboratory teaching programme, 1941/1967
    Design Laboratory teaching programme1941-1942 New School for Social Research Art Classes catalog cover (66KB). Direct institutional documentation of the Design Laboratory programme.Museum editorialsource
  • Herb Lubalin, American graphic designer
    Credit pending
  • Mother & Child logo, 1965
    Mother & Child logoCredit pending
  • ITC Avant Garde Gothic, 1970
    ITC Avant Garde GothicCredit pending
  • ITC Lubalin Graph, 1974
    ITC Lubalin GraphCredit pending
  • U&lc (Upper and lower case) magazine, 1973/1999
    U&lc (Upper and lower case) magazineCredit pending
  • Eros magazine, 1962
    Eros magazineCredit pending
  • Avant Garde magazine masthead, 1968
    Avant Garde magazine mastheadCredit pending
  • Massimo Vignelli, Italian graphic designer
    1966 archival portrait by SåRN Incorporated, held in Vignelli Center archives; era-perfect, 300 DPI resolution, ideal for print reproductionPublic domainsource
  • 1972 New York City Subway Map, 1972
    1972 New York City Subway MapEmbedded in Open Culture's design-history article with contextual commentary; readable editorial presentation of the mapMuseum editorialsource
  • NYC Subway signage system, 1966
    NYC Subway signage systemOriginal Vignelli 1968 porcelain-enamel-on-steel station sign (actual artifact from the 1966–70 design period). For master-resolution versions, replace 'sized' with 'master' in URL path.AU statutorysource
  • American Airlines identity, 1967
    American Airlines identityAmerican Airlines timetable (June 1968) showing the identity system in published communications; part of Northwestern's transportation design archive.AU statutorysource
  • Knoll identity + advertising, 1966
    Knoll identity + advertisingOfficial Cooper Hewitt Smithsonian museum image of the 1967 offset lithograph poster (81.3 × 120.7 cm). Primary authoritative source with museum documentation.Museum editorialsource
  • Bloomingdale's identity, 1972
    Bloomingdale's identityPRINT Magazine's 50-year anniversary article header graphic showing the iconic Big Brown Bag design; editorial republication with sourcing to Bloomingdale's official.Museum editorialsource
  • United Colors of Benetton (early identity), 1965
    United Colors of Benetton (early identity)Credit pending
  • The Vignelli Canon, 2008
    The Vignelli CanonOfficial publisher (Lars Müller) — 150 DPI high-quality product image; original edition coverMuseum editorialsource
  • Milton Glaser, American graphic designer
    Credit pending
  • I ♥ NY logo, 1977
    I ♥ NY logoCredit pending
  • Bob Dylan poster, 1966
    Bob Dylan posterCredit pending
  • DC Comics "bullet" logo, 1977
    DC Comics "bullet" logoCredit pending
  • Brooklyn Brewery identity, 1996
    Brooklyn Brewery identityCredit pending
  • New York magazine (co-founder + design direction), 1968
    New York magazine (co-founder + design direction)Credit pending
  • Graphic Design (essay), 1973
    Graphic Design (essay)Credit pending
  • Drawing is Thinking, 2008
    Drawing is ThinkingCredit pending
  • Art is Work, 2000
    Art is WorkCredit pending
  • Otl Aicher, German graphic designer
    Credit pending
  • Munich 1972 Olympic Games visual identity, 1967/1972
    Munich 1972 Olympic Games visual identityCredit pending
  • Munich 1972 Olympic pictograms, 1972
    Munich 1972 Olympic pictogramsCredit pending
  • Lufthansa corporate identity, 1962
    Lufthansa corporate identityCredit pending
  • Braun brand identity and design collaboration, 1954/1980
    Braun brand identity and design collaborationCredit pending
  • ERCO lighting corporate identity, 1974
    ERCO lighting corporate identityCredit pending
  • Rotis typeface family, 1988
    Rotis typeface familyCredit pending
  • Typographie, 1988
    TypographieCredit pending
  • Die Welt als Entwurf / The World as Design, 1991
    Die Welt als Entwurf / The World as DesignCredit pending
  • Saul Bass, American graphic designer
    Credit pending
  • The Man with the Golden Arm (title sequence), 1955
    The Man with the Golden Arm (title sequence)Credit pending
  • Vertigo (title sequence), 1958
    Vertigo (title sequence)Credit pending
  • Psycho (title sequence), 1960
    Psycho (title sequence)Credit pending
  • Anatomy of a Murder (poster + title sequence), 1959
    Anatomy of a Murder (poster + title sequence)Credit pending
  • AT&T logo (globe mark), 1983
    AT&T logo (globe mark)Credit pending
  • United Airlines logo, 1974
    United Airlines logoCredit pending
  • Quaker Oats logo (smiling Quaker), 1969
    Quaker Oats logo (smiling Quaker)Credit pending
  • Casino (title sequence), 1995
    Casino (title sequence)Credit pending

Postmodern & deconstructivist (1980s)

  • David Carson, American graphic designer
    Professional studio portrait by Norman Posselt at Beyond Tellerrand Düsseldorf conference, May 2019. Shot on Sony α7R III with 85mm lens. Highest resolution freely licensed image available.CC BY-SAsource
  • Transworld Skateboarding art direction, 1983/1987
    Transworld Skateboarding art directionJune 1987 magazine cover from Skateboard Magazine Archive — scanned archive of printed issue from Carson's tenure.Museum editorialsource
  • Beach Culture magazine, 1989/1991
    Beach Culture magazineLegendary third issue cover (August/September 1990) featuring Geof Kern photography; earned Carson 150+ design awards.Museum editorialsource
  • Ray Gun magazine art direction, 1992/1996
    Ray Gun magazine art directionEarly issue cover (1992) with Henry Rollins, Sonic Youth, Inspiral Carpets — early Carson layout examples from Dazed Digital archiveMuseum editorialsource
  • The End of Print: The Graphic Design of David Carson, 1995
    The End of Print: The Graphic Design of David CarsonPrimary cover from People's Graphic Design Archive (established crowdsourced archive). Shows Carson's trademark experimental typography with overlapping, multi-sized fonts in grayscale/monochrome.Museum editorialsource
  • 2ndsight: Grafik Design After the End of Print, 1997
    2ndsight: Grafik Design After the End of PrintLaurence King UK/international edition (1997, ISBN 9781856691048) — softcover release; may have different jacket designMuseum editorialsource
  • Trek, 2003
    TrekOfficial source from David Carson's design portfolio; direct cover image embedded on book project page (~139KB JPEG indicates substantial resolution)Museum editorialsource
  • Nike "Hell Yes" / Hi campaign, 1996
    Nike "Hell Yes" / Hi campaignAre.na-hosted Nike advertisement directly labeled as David Carson work; cover-fit processed version of original JPG.AU statutorysource
  • Neville Brody, British graphic designer
    Credit pending
  • The Face magazine art direction, 1981/1986
    The Face magazine art directionCredit pending
  • Arena magazine art direction, 1987/1990
    Arena magazine art directionCredit pending
  • Industria typeface, 1989
    Industria typefaceCredit pending
  • Insignia typeface, 1990
    Insignia typefaceCredit pending
  • Arcadia typeface, 1990
    Arcadia typefaceCredit pending
  • FF Blur typeface family, 1992
    FF Blur typeface familyCredit pending
  • Fuse magazine and conference series, 1991/2017
    Fuse magazine and conference seriesCredit pending
  • The Graphic Language of Neville Brody, 1988
    The Graphic Language of Neville BrodyCredit pending
  • The Graphic Language of Neville Brody 2, 1994
    The Graphic Language of Neville Brody 2Credit pending
  • Paula Scher, American graphic designer
    Credit pending
  • Public Theater identity system, 1994
    Public Theater identity systemCredit pending
  • CBS Records album covers, 1972/1982
    CBS Records album coversCredit pending
  • Swatch "Bauhaus copycat" advertisement, 1984
    Swatch "Bauhaus copycat" advertisementCredit pending
  • Citibank identity, 1998
    Citibank identityCredit pending
  • Tiffany & Co. identity refresh, 2014
    Tiffany & Co. identity refreshCredit pending
  • Windows 8 logo, 2012
    Windows 8 logoCredit pending
  • Make It Bigger, 2002
    Make It BiggerCredit pending

Contemporary practice (2000+)

  • Michael Bierut, American graphic designer
    Credit pending
  • Saks Fifth Avenue identity, 2007
    Saks Fifth Avenue identityCredit pending
  • MIT Media Lab identity, 2011
    MIT Media Lab identityCredit pending
  • Mastercard logo redesign, 2016
    Mastercard logo redesignCredit pending
  • Hillary Clinton 2016 campaign identity, 2015
    Hillary Clinton 2016 campaign identityCredit pending
  • New York Jets identity, 2024
    New York Jets identityCredit pending
  • New York Times Magazine redesigns (multiple)
    New York Times Magazine redesigns (multiple)Credit pending
  • How to: Use Graphic Design to Sell Things, Explain Things, Make Things Look Better, Make People Laugh, Make People Cry, and (Every Once in a While) Change the World, 2015
    How to: Use Graphic Design to Sell Things, Explain Things, Make Things Look Better, Make People Laugh, Make People Cry, and (Every Once in a While) Change the WorldCredit pending
  • Now You See It and Other Essays on Design, 2017
    Now You See It and Other Essays on DesignCredit pending
  • Stefan Sagmeister, Austrian graphic designer
    High-resolution portrait by Christopher P. Michel; editorial quality headshot; not from 2000 era but strongest openly-licensed option (uploaded 2026-02-17)CC BY-SAsource
  • Lou Reed — Set the Twilight Reeling album art, 1996
    Lou Reed — Set the Twilight Reeling album artPromotional poster version featured in PRINT Magazine's 'Image of the Day' column; design-focused publicationMuseum editorialsource
  • AIGA Detroit lecture poster, 1999
    AIGA Detroit lecture posterStefan Sagmeister AIGA Detroit 1999Museum editorialsource
  • Casa da Música identity, 2007
    Casa da Música identityBehance portfolio documentation by Virginia Donelli; shows faceted logo variations with color applications from the system.Museum editorialsource
  • The Happy Show, 2012
    The Happy ShowThe Happy Film Pitch Book cover, published by ICA Philadelphia 2013; official exhibition catalog documenting the 2012 showMuseum editorialsource
  • The Beauty Show, 2018
    The Beauty ShowSarah Goodridge — Gift of Gloria Manney, 2006Public domainsource
  • Things I Have Learned in My Life So Far, 2008
    Things I Have Learned in My Life So FarCommunication Arts (design industry publication) portfolio entry; authoritative design-press source.Museum editorialsource
  • Made You Look, 2001
    Made You LookFrom The Print Arkive (UK design dealer). Verified Booth-Clibborn 2001 first edition, softcover section-sewn, 292 pages. Product image format.Museum editorialsource

Imagery on design-history pages is used under the Australian Statutory Education Licence (Copyright Agency Part VB), or via open-access museum collections, publisher permission, estate-granted access, or Creative Commons. Rights-holders who wish to request an amendment or removal can start the process at /colophon/take-down/.

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